RM880.00
NAI-24 is designed for personal studios, it is compact and equipped with high-quality audio transformers. It features a pure Class A discrete transistor microphone preamp with up to 71dB of gain. Inspired by the classic 76 compressor, it includes a convenient and easy-to-use pure analog compressor. With support for a sampling rate of 32‐bit/192kHz, it allows for switching between two audio interface modes to accommodate different usage environments.
Utilizing the FET type 76PRE compressor circuit, it employs pure hardware circuits for better tonal quality and offers multiple preset modes through digital control for various applications.The input channel uses high-dynamic pure Class A discrete transistors, achieving a maximum gain of 71 dB. Each input channel has a built-in boost mode and 3 different compression modes.
Equipped with high-quality, professional AD/DA decoding chips from the renowned manufacturer AKM (Asahi Kasei Microdevices).
Investing in studio-grade audio transformers at the main output (1L/2R), providing warm sound characteristics and achieving electrical isolation to avoid ground loop interference.
(Note: Even when connecting unbalanced outputs at 1L/2R, balanced output signal strength is still maintained.)
The NAI-24 is a user-friendly 2-input, 4-output audio interface that provides independent 48V phantom power control and LINE IN switching buttons. Features include HI-Z input, dual independent headphone monitoring, soft/hard monitoring mix adjustment, one-click stereo mode switching, and one-click loopback.
With an ultra-low latency of 3.17ms at 192kHz with a 32-sample buffer, it meets professional needs.
A/B Mode: In this mode, you can connect active monitor speakers to the outputs (1L/2R and 3L/4R) simultaneously, and achieve one-click monitoring switching by pressing the (OUT 3/4) button.
Recording Mode: In this mode, when using the main channel (1L/2R), pressing the (OUT3/4) button allows you to monitor the sound sent to the 3/4 channels with one-click. (e.g., the sound engineer needs to temporarily monitor the tracks sent to the recording musicians.)
In recording mode, easily connect to various rack and external effect devices for re-recording.
| Section | Specification | Details |
|---|---|---|
| MIC IN | Dynamic Range | 114 dB (A-weighted) |
| Frequency Response | 20–20000 Hz ± 0.1 dB | |
| THD+N | 0.002% @ -1 dBFS (minimum gain) | |
| EIN | -126 dB (A-weighted) | |
| Maximum Input Level | 6 dBu (minimum gain) | |
| Gain Range | 5.4–63 dB | |
| Input Impedance | 2.4 kΩ | |
| LINE IN | Dynamic Range | 114 dB (A-weighted) |
| Frequency Response | 20–20000 Hz ± 0.12 dB | |
| THD+N | 0.003% @ -1 dBFS (minimum gain) | |
| Maximum Input Level | 26 dBu (minimum gain) | |
| Gain Range | -12.6–45 dB | |
| Input Impedance | 21 kΩ | |
| HI-Z | Nominal Input Level | -10 dBu |
| Input Impedance | 1 MΩ | |
| L/2R | Dynamic Range | 112 dB (Balanced, 600 Ω, A-weighted) |
| Frequency Response | 20–20000 Hz ± 0.5 dB | |
| Maximum Output Level | +12.4 dBu (Balanced, 0 dBFS) | |
| THD+N | 0.0015% @ -1 dBFS | |
| Output Impedance | 580 Ω | |
| 3L/4R | Dynamic Range | 112 dB (Balanced, 200 kΩ, A-weighted) |
| Frequency Response | 20–20000 Hz ± 0.1 dB | |
| THD+N | 0.001% @ -1 dBFS | |
| Maximum Output Level | +18.4 dBu (Balanced, 0 dBFS) | |
| Output Impedance | 240 Ω | |
| PHONES OUTPUT | Dynamic Range | 104 dB (A-weighted) |
| Frequency Response | 20–20000 Hz ± 0.25 dB | |
| THD+N | 0.005% @ -5 dBFS | |
| Power Output | 30 mW @ 32 Ω | |
| Size & Weight | Dimensions | 194 (L) x 128 (W) x 67 (H) mm |
| Weight | 722 g |
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